Sound Stock has officially launched its new royalty-free audio platform, providing digital creators, filmmakers, and game ...

The first time Gwen Whittle created sounds for a movie with its own language was as a sound designer for 2009’s “Avatar” — the highest-grossing film of all time — for which she received her first ...

Explore why coverage consistency is driving distributed loudspeaker specifications in open-ceiling commercial spaces.

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Tutorials might well be the bane of the video game industry's existence. Teaching a player how to do something is surprisingly difficult to do. Even if a developer crafts an educational and ...

Imagine you're driving on a lonely country road, the sky erupting in a bright orange sunset on a mild winter day. You're sitting back on the headrest when you hear the familiar intonations of the ...

Creating transportive soundscapes, here are the 2025 Orlando Sentinel honorees for best sound design as selected by theater critic Matthew J. Palm. Although it’s impossible for one person to see every ...

Ever since it was launched in late 2018, new versions of Arturia’s flagship softsynth Pigments have rolled around on a fairly consistent annual schedule. Its last major update, v6, landed in January ...

In a new featurette for Wicked: For Good, sound mixers Simon Hayes and Andy Nelson, sound designer John Marquis, and more delve into the world of sound as heard in the new film. The team members shine ...

Creating a sonic vocabulary for the fantasy hit was a challenge for sound designer Michael Babcock. Creating a sonic vocabulary for the fantasy hit was a challenge for sound designer Michael Babcock ...